top of page

内流

在这个身份不断被外部力量塑造和重塑的世界里,做真实的自己意味着什么?《内在之流》邀请你深入自我的深处,真实与虚假的界限变得模糊,身份的本质被揭示。

 

本次展览的作品展现了原始、未经雕琢的自我,揭示了那些常常被隐藏的脆弱与不完美。扭曲、纠结却又无可否认的力量,挑战着我们对美与完美的根深蒂固的认知。这些描绘以吸引与排斥之间的张力为特征,展现了人类境况的复杂性。它们表明,灵魂的真谛并非存在于完美无瑕的外表,而是在于对不完美的包容。艺术家通过充满活力的构图,迫使我们思考:我们真正的自我是否就栖息于这些不完美之中?

 

这些画作深入内心世界,揭示潜藏于表象之下的鲜活而动荡的情感。这些作品提醒我们,我们所见的外在往往是精心雕琢的表象,而真正的自我则始终是内在不断变化的风景。作品对色彩和形式的运用捕捉了身份的流动性,静与动、饱和与苍白,在微妙的平衡中共存。

 

在探索“内在流动”的过程中,请将自我视为一个流动的、不断发展的实体——它既受外部力量塑造,又能抵抗外部力量。这些作品提醒我们,通往自我的旅程并非一条平坦的道路,而是在可见与不可见、脆弱与力量之间复杂的舞蹈。在层层外衣之下,我们是谁?我们如何调和可见的自我与隐藏的自我?在这个空间里,我们邀请您思考这些问题,或许,更深入地理解您自己的内在流动。

Placid

Placid is an artist duo composed of sculptor Chen Lok Yan and painter Louise Chow. Chen and Chow were born in 1989 in Hong Kong, and received their Masters of Architecture (MArch) from the University of Hong Kong (HKU). Their sculpture and paintings resonate with each other, jointly exploring the complexity of individual identity. 


Individuals possess characters that define their unique identities. These elements - attitude, style, thoughts and memories, are expressed as dents of imperfection on the initial surfaces of the sculptures. They are then filled and polished until they become smooth and imperceptible by touch. In conventional processes of model making, these polished prototypes shall receive the final coating, to meet the universal expectations in real life. Placid's sculptures are like frozen prototypes that preserve the characters of these placid beings as bespoke textures, capturing the moment before they receive the final coating that conceals the truth and imperfections inside. They are intentionally grey, the default color of digital modeling, and the most appropriate color to receive light and shadow. The most neutral and peaceful color, buries the deepest fluctuations.


Placid’ s paintings depict the same subjects as the sculptures, imagining their heads as empty interiors that become scenes of introspection. Looking out from the inside of the heads of the placid beings, one sees different scenery as from the outside. Shifts in viewpoint accentuate changes in perception and trigger emotions, serving as the inspirations of the paintings, and providing glimpses into the unique characters hidden under their gentle faces. The organic enclosures become the exhaustive realm for each painting, distorted as they stretch across the entire length of the picture frame. Vibrant and 
sometimes fluorescent colors inject life into the shades of grey throughout our paintings. The juxtapositions of fluidity and stillness, saturation and paleness, instill a suppressed atmosphere and give their paintings a calming presence.


In the year or 2023, Placid has held their first solo exhibition “the Witnesses” at Gallery Jo Yana in Marseille, France. They have also participated in group exhibitions and art fairs include “Nyctophilia”, Gallery Nowhy, Seoul, South Korea (2023); Art Amoy International Art Fair, Gallery Nowhy, Xiamen, China (2023); “Blue Blue Bl(ue)m”, IM Gallery, Guangzhou, China (2023); Moordn Art Fair, Guangzhou, China(2023); Beijing Art Fair, Beijing, China(2024); Ningbo Art Fair, Ningbo, China(2024).

Placid
CRYSTAL CLEAR, 2024
acrylic on canvas
88 x 68 cm

Placid
KEEP AWAY FROM ME, 2024
acrylic on canvas
88 x 68 cm

Marius Seidlitz

Marius Seidlitz was born in Germany in 1985 and currently works in Kempten, Germany. He explores the complexities of self-identity in his artwork, questioningMarius Seidlitz explores the complexities of self-identity in his artwork, questioning notions of beauty and perfection. His artistic process encompasses diverse techniques, ranging from engraving mastery to free creative use of spray technology and paint. Seidlitz's expressive images feature deliberately imperfect bodies of women, portraying colorful curves and multi-layered nudity that embody the contradictions between attraction and repulsion. These dynamic and multidimensional compositions are characterized by  entangled bodies, hinted limbs, and lips merging with vibrant surfaces and dynamic lines. Through the use of acrylic and spray paints, Seidlitz examines the self and its presentation, celebrating the versatility of imperfection. His art embraces the beauty of vulnerability, showcasing the simultaneous coexistence of different proportions and human needs. By stripping the bodies naked, Seidlitz unveils the soul, capturing the complex and ever-evolving nature of human beings.Seidlitz has held exhibitions in various countries and regions including Italy, France, Germany, the United States, South Korea, China, Japan, etc. His recent solo exhibitions include ‘Beyond the Mirror’ , Akunst Gallery, Seoul (2023); ‘It’ s Too Late For Postcards’ , Foundazione 
Michetti, Francavira (2021); ‘Sugar, We Are Going Down!’ , Heart House, Munich (2020);

Marius Seidlitz
UNIQUE, 2023
oil on cavans
100 x 120 cm

9.jpg
DSC01500 拷贝.jpg
67f656b7843eb79bfcaa3ca3022fa85.jpg

广州 / GUANGZHOU

TUE - SUN: 11AM - 6PM

联系方式

海珠区新港东路51号北岛创意园A302

COPYRIGHT ©2024 by IM Gallery.  /  

订阅

关注我们

  • Facebook
  • Instagram
  • X
  • Weibo
bottom of page